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Posts Tagged ‘The Rumpus

Why Tolerate/Support/Buy Literary Magazines?

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 “We’re four years old. Give us some money.” – Subject line of Email received from “The Desperate Review.”

Writers benefit from the existence of literary magazines. That editors publish such and work for little or no money deserves respect. Most editors understand that writers spend more than they earn, partly because editors double as writers. But not all. Here’s a solicitation with nothing changed but the review’s name:

Some of my literary magazines

Dear Readers, The Desperate Review is four years old. For our birthday we’d like some money.

Oh—was that too forward? Did we mention that we’re FOUR YEARS OLD?  Four-year-olds are forward. Now please give us some money.

What do we need money for? Well, in addition to keeping all issues of the magazine free to read and paying our writers, we’re redesigning our website to make it phone and tablet compatible (and easier to read on all platforms). This will cost money. Won’t you give us some? Even just a little bit?

What’s in it for you, other than making a four-year-old happy on its birthday? We’re sponsored by the New York Foundation for the Arts, meaning if you do give us some money, your donation is tax deductible.

Thanks.

Now if you’ll excuse us, we’re going to jump in an inflatable castle until we barf.

Happy Birthday to Us, The Desperate Review

Dear Desperate Review:  Many editors respect the business and art of writing. They don’t exploit or solicit writers. I realize you’re on the inside, but it seems you’re oblivious to the turn offs that derive from unearned solicitations. Are you Editors-with-Agendas - editors self-promoting on other people’s dimes? Who are you to ask for money? University or government grant (VQR) supported lit mags are another topic. But no matter where funds originate, good editors understand that writers implicitly know they should support literature.

Do not become a vile rag that scrounges up dollars to publish established literary figures. Of these, Narrative Magazine the most egregious, existing so their editors-with-agendas can make contact with Sherman Alexie-types while taking advantage of unpublished clueless writers for financial help. How? Narrative charges upwards of $15 just to submit. Really. Sherman Alexie has been published six times by Narrative, others include Margaret Atwood, Ann Beattie, Robert Olen Butler, Junot Diaz, Mary Gaitskill, Charles Johnson, Jhumpa Lahiri, Joyce Carol Oates, James Salter, and Tobias Wolff. To lay on some necessary redundancy, Narrative doesn’t pay these writers, poor suckers hoping to be discovered, through submission and contest fees, pay them.

Why would anyone buy a literary magazine? To participate in the conversation, to read familiar writers, and to support literature. Successful writers should throw money back at places who have published their work and helped said writer attain their goals. Your self-conscious “barf” comment does not save you. You should feel nauseous. As lit mag editors and writers your struggles and glory double, namely, you pay twice unless your material is so desired that people will buy mad volume of your product.

Sincerely,

Caleb Powell

Related:

On Getting Paid: Literary Magazines and Remuneration – The Millions

Give Money to the Arts? - An Exchange with Tim Jones-Yelvington at The Rumpus

Dear Zoetrope: Your Submission Guidelines Are Fucked Up – at The Nervous Breakdown

A Radical Idea:  Pay the Writer  – The Saturday Morning Post

Written by Caleb Powell

May 28, 2013 at 4:20 pm

David Shields vs. Caleb Powell: I Think You’re Totally Wrong: A Quarrel

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Publishers Marketplace
New deals for April 26, 2013

Art?

Art?

Caleb Powell: You excoriate the traditional novel and fiction in Reality Hunger, yet you began writing fiction. It turned out not to be your forte. Why the attack? Isn’t it like an impotent man vowing abstinence?

David Shields: That’s a funny analogy. And I’d be a fool to think that type of criticism won’t emerge… (from The Rumpus)

David Shields and I, at antipodes since the UW, headed into the Cascades for a few days and threw down. The focus? Art vs. life. The result was announced 4/26/13 at Publishers Marketplace:

Life?

Life?

NONFICTION - General/OtherNYT bestselling author David Shields’s I THINK YOU’RE TOTALLY WRONG: A QUARREL, a debate about life versus art, in which Shields’s co-author, Caleb Powell, always wanted to become an artist, but overcommitted to life (stay-at-home dad to three young girls), whereas Shields has overcommitted to art and forgotten to become a human being, to Ann Close at Knopf, by PJ Mark at Janklow & Nesbit (NA).

“Twenty years ago, another undergraduate, Caleb Powell, was in my novel-writing course; we’ve stayed in touch. I’ve read and critiqued his stories and essays. A stay-at-home-dad and freelance journalist, he’s interviewed me occasionally when a new book came out. We disagree about nearly everything. I’ve sacrifice my life for art; Caleb, vice versa. He’s one of the most contrary people I’ve ever met…” David Shields, from How Literature Saved My Life

Caleb:  …that opening of our interview in the Rumpus, when I asked, “You began writing fiction; it turned out not to be your forte. Why the attack? Isn’t it like an impotent man vowing abstinence?”

David:  Only about fifty other reviewers used the same trope. I’d say I’m more like a man in love pointing out to the man on Viagra that he’s fucking a sex doll. (from I Think You’re Totally Wrong: A Quarrel)

Update:  I Think You’re Totally Wrong - The Move

“Riding a Mower” vs. Reality Hunger:

Written by Caleb Powell

May 2, 2013 at 8:48 am

The End of the Reality Hunger Interviews

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Over the last year I reviewed David ShieldsReality Hunger and interviewed the author multiple times (here).  This reviewer called it the “book book-lovers love to hate in 2010″ (here). One purpose of art is to antagonize; whether in a political, cultural, or societal arena. If you think otherwise, you have a mighty docile aesthetic. To coincide with the paperback release, we interviewed again; published 3 places online, at HTML Giant, The Nervous Breakdown, & The Rumpus

FROM HTML Giant: Flaubert claimed: “The value of a work of art can be measured by the harm spoken of it.” Reality Hunger, by David Shields, was one of the most controversial and talked-about books of 2010, reviewed nearly everywhere. Shields debated with journalists, writers, and artists such as Nicholson Baker, Simon Critchley, Leonard Lopate, John Cameron Mitchell, Rick Moody, Michael Silverblatt, Zadie Smith, DJ Spooky, Judith Thurman, and Simon Winchester. This past February saw the paperback release of Reality Hunger. Recently I met with Shields to analyze the polemics and decipher the carnage…

This should be the end of Reality Hunger interviews…for now!

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